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Raewyn Turner

Title: Fallible
Year: 2016
Length: 03:49
Format: HD video
Credits: Cinematography: Raewyn Turner & Brian HarrisEditing and green screen: Raewyn Turner

To detect the scent variations in flowers, unscented flowers rotate above a vase which holds a sensor. As the rotating flowers are passed over the smell sensor a computer fan draws their scent past a ceramic bead sensor and a microprocessor measures a voltage dependent on the scent concentration and type. The notes are synthesised in piano voice. The sound changes as the flowers wilt and die. Synopsis: The political and cultural interests of the 1700’s that sent out explorers to collect exotic and rare botanical specimens also created an aesthetic of beauty that embodied the precarious balance of life; one tilt out of balance, one degree of heat, one minute and its gone. 
We’re exploring the fragrance of contemporary existence, illusion, and sense-making in a largely visual culture. We’re interested in subliminal odours, airborne particles that affect minds and emotions.


Thematic tags: environment and ecology, technology, history, affect, sound, olfactory

Title: Lucky
Year: 2006
Length: 21:51
Format: Digital
Lucky is a documentary about the making of a fragrance to fortify the lower senses of the gambler playing with chance on pokie machines, which are essentially random number generators. Each perfume bottle is unique as there is a random number generator in the design.
Thematic tags: environment and ecology, technology, affect, olfactory

Title: Pick Up Styx
Year: 2008
Length: 01:04
Format: Interactive software
Credits:
The video interacts with the movements of the players playing a game of pick up sticks which were each fragranced with celebrity perfumes brought to market during the years ofthe war on terror 2001-2008
Thematic tags: politics, history, olfactory, technology, interactive

Raewyn Turner’s interdisciplinary work is concerned with cross-sensory perception and the uncharted territories of the senses. Her works have been shown in numerous national and international exhibitions including Museum of Contemporary Art, LA, Parque de las Ciencias, Granada, Spain, 11th Prague Quadrennial of Scenography and Theatre Architecture 2007,Prumyslovy Palace, Prague, Argentina, Georges Pompidou Center, Te Papa Museum, and Academy of Fine Arts, New Zealand. She has worked with olfaction since 1999 and in collaboration with Dr Richard Newcomb, molecular biologist, NZ. In 2011 she was recipient of a Fulbright Travel Grant for an artists residency at Monell Chemical Senses Center, Philadelphia. Her works include videos, interactive installations, performances, exhibitions and large scale international performance in theatres and stadiums, working as a concept and design artist and lighting designer in collaborations with musicians, orchestras and choreographers.

http://www.raewynturner.com


Becky Nunes

Title: This Air is a Material
Year: 2017
Length: 52:43
Format: HD video
Credits: Director/Producer: Becky Nunes
Ann Shelton left her hometown of Timaru in the 80’s on a mission. Her seminal project Redeye captured the zeitgeist of Auckland, New Zealand in the 90’s, and catapulted her to public notoriety. Ann has made many rich and complex bodies of work that unearth local mythologies, “ghosted” stories and characters and narratives previously written out of history. This Air is a Material deepens the understanding of this important artist & her work. With interviews, high quality footage of Ann’s artwork and archival imagery, the documentary not only illuminates her practice but also the small towns, urban myths and creative communities that shaped it. Artists, writers and curators speak with passion and insight about Ann’s work and its historical and contemporary contexts. Ann herself provides much of the guiding narration. The film explores the visual themes and motifs of Ann’s work, tracing its origins in the hostory and landscapes of Aotearoa/New Zealand.
Thematic tags: documentary, feminism, photography, fine art

Title: Open Home – a glimpse into Ann Shelton’s House Work.
Year: 2016
Length: 06:00
Format: HD video
Credits: Director/Producer: Becky Nunes
On December 5th and 6th of 2015 groups of curious guests were invited to attend an offsite event as part of Enjoy Gallery’s Enjoy Feminisms exhibition. This event took place in a house designed for Nancy Martin, a musician and educator, by immigrant architect Frederick Ost, in 1957. Artist Ann Shelton and her partner now live in this house, and in House Work Shelton and ghost-writer Pip Adam weave together past and present, archive and fiction. This film is a document of that event.
Thematic tags: performance, documentary, capitalism, politics, feminism, work/labour

Title: Pictures on Paper – The Photobook in New Zealand
Year: 2017
Length: 27:00
Format: HD video
Credits: Director: Becky Nunes & Anita Totha Producer: Becky Nunes. Sound: David Cowlard. Camera: Parisa Taghizadeh & David Cowlard. A Tangent Production
The photo-book has enjoyed a meteoric rise in recent years. Combined with on-demand publishing it now offers photographers unprecedented and unmediated access to audiences for their work. From a bespoke and limited edition artist book to a large print run showcasing the entire body of work of an artist, the photo-book has shifted from background to foreground for the attention of art fairs, libraries and collectors. This short documentary charts some of the key moments in the history of the photo book in Aotearoa/New Zealand. Interviews with early proponents of the form such as photographer/publisher Haru Sameshima and photographer David Cook give context. Harvey Benge talks about his long-term obsession with the photobook format, his own printed works and his extensive collection.Importantly, the film also foregrounds the now; a slice of contemporary bookmaking in the early 21st Century. Solomon Mortimer, David Cook & Ann Shelton are some of the important lens-based artists working in the medium today. This documentary has no claims on any encyclopedic qualities. Rather, it aims to intrigue, inspire and provoke debate around a medium that, in the South Pacific at least, is still in its teenage years. The photo book, like any art form linked intrinsically with technology as its means of production, is on the move. What this film portrays as the “now” of 2015 will be an important archival contribution to our collective imaging history in the turn of a page.
Thematic tags:Documentary, history of New Zealand photography

Becky Nunes is a lens-based artist and educator. Her images have been awarded, published & exhibited locally and internationally. Nunes is a founder member of Tangent Collective. She works at the nexus of fine art and documentary practice, most recently producing and directing the awarded documentary film This Air is a Material. Her primary field of research is the complex arena of site, subject and the co-authoring of representation. Her work articulates, via photographs, moving image and sound, some of the complex narratives of Aotearoa in the era of the Anthropocene.

http://www.facebook.com/sheltonfilm


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