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Denise Batchelor

Title: Shipped
Year: 2013
Length: 03:38
Format: HD Video, ProRes 422
Shipped references the constant passages of container vessels plying the invisible highways of global commerce. Essential to international trade, these vessels carry bulk cargo in order to satisfy the ever-increasing populations need for goods.The sound of the foghorn elicits a warning, a metaphor perhaps for the danger in supporting a continuum in what has become unsustainable growth.

Thematic tags: Landscape, capitalism, environment/ecology, sound, ocean

Denise Batchelor is a visual artist based in the far north of New Zealand, where she works primarily in the mediums of video and photography. Through personal encounters within nature and the immediate world around her, Batchelor explores the subject of connection; those moments in time that evoke a sense of kinship and/or empathy. Capturing moments that simultaneously embrace the familiar, yet reflect the overlooked or unnoticed, Batchelor’s work invites contemplation.
“A visual artist since 2008, my methodology is initially driven by a strong sense of curiosity and a deep engagement with the environment and the biodiversity within it”.
Batchelor has exhibited widely in galleries, art centres and festivals, both nationally and internationally. The recipient of artist residencies and art awards, Batchelor graduated MFA (Hons) from Whitecliffe College of Arts & Design, Auckland (2010).

www.denisebatchelor.com
https://www.facebook.com/denisebatchelor.artist/
https://www.instagram.com/batchelordenise/


Matilda Fraser

Title: The Race Marches Forward on the Feet of Little Children
Year: 2018
Length: 08:37
Format: Single channel video
A film about Sir Frederic Truby King, the eccentric founder of Plunket Society in New Zealand in 1907. He worked to promote mothercraft, breastfeeding, and the training of women as nurses, campaigned against over-educating women, and contributed literature to the eugenics movement.
Thematic tags: Narrative, landscape, capitalism, politics, environment, feminism, work/labour,

Title: The Eight Hours Plan
Year: 2017
Length: 04:08
Format: single channel video
An ode to Samuel Duncan Parnell, a man instrumental to founding the eight hour working day in New Zealand in 1842.
Thematic tags: landscape, politics, capitalism, work/labour

Matilda Fraser (BFA Hons, 2012, Massey University; MFA 2016, Elam) is an artist and writer based in Wellington, New Zealand. Recent shows include The Race Marches Forward on the Feet of Little Children, Blue Oyster, 2018; I digress, Enjoy, 2017; The Eight Hours Plan, Mason’s Screen, 2017; New Perspectives, Artspace, 2016. She was the 2015 Writer-in-Residence at Blue Oyster Art Project Space, Dunedin, producing a series of nested texts entitled Against Efficiency about the nature of criticism.

http://www.lumiere.net.nz/against-efficiency/


Moving Image Archive is a RM Gallery and Project Space project
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